Workaround: It’s not 100% reliable, but if you make sure to remove all AVCHD clips from the L&T clip menu before closing L&T they tend not to reappear next time you open the tool.ģ) L&T does not bring the source timecode of the clip through when transcoding. Each clip, after transcoding, has timecode starting at zero. This can be a serious issue if, for example, you plan to transcode into a low-resolution version of ProRes 422 like ProRes Proxy for an ‘offline’ edit and then reconform the project by re-ingesting the footage for a final ‘online’ edit at higher quality FCP will not be able to find the points in the original files to ‘know’ which sections of those files to re-ingest because the timecode in the transcoded footage is not the same as that in the ‘parent’ AVCHD files. Workaround: Ingest and work in a high-quality ‘online’ format like ProRes 422 HQ from the start so you don’t have to re-ingest, or a format at least as good as that which you want to deliver the project in. Yes, this can take a lot of disk space!Ĥ) The L&T playhead is screwy and moving it around can cause FCP to crash. L&T offers users a preview window for looking through clips prior to ingestion.
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